Blade: Supes Are the New Cowboys

|Dan Howard| Every generation has its defining film genre. For the 40s, it was Noir. The 70s were ruled by the auteurs, the 80s were all about sci-fi and fantasy and for the 50s and 60s, we had Westerns at the Hollywood throne. However, for the last 25 years or so, Superhero film… Continue reading

The Political, Personal Prophecies of There Will Be Blood

|Ryan Sanderson| “Shuffle the cards, and deal a new round of poker hands: they differ in every way from the previous round, and yet it is the same pack of cards, and the same game, with the same spirit, the players grim-faced and silent, surrounded by a haze of tobacco-…” Continue reading

A New Vision of the Western: Paul Thomas Anderson’s There Will Be Blood

|Dan McCabe| For better or worse, the Western is the quintessential American myth from its beginnings with The Great Train Robbery (1903) through the films of John Ford, Sergio Leone, and Clint Eastwood. During the Western’s heyday in the first half of the 1900s, the nineteenth… Continue reading

No Country for Old Men: Ride the High Country (1962) and The Ballad of Cable Hogue (1970)

|MH Rowe| The most important thing in a Sam Peckinpah western is the automobile. Cars are the essential metaphor, at least when it comes to his crudely grand and murderous epic The Wild Bunch (1969), but also when you consider his first classic film Ride the High CountryContinue reading