Programmer’s Notes on Hideo Gosha, Wandering Ronin

The image is black and white. A man lays back against a wooden wall and is holding a sword in front of him. Reflected in the sword is the face of a woman.

|John Moret| Ronin, noun, historical (in feudal Japan): a wandering samurai who had no lord or master.

On a wintry day in 2012, a friend and I met for our weekly movie and lunch meetup. It was his choice that week and he brought a new release from the Criterion Collection, Three Outlaw Continue reading

The Conformist: Finding Purpose in a Fascist State

In the bottom left corner, a man in a suit carries a bouquet of yellow flowers. He is walking past a large brick wall with words in Latin carved on it.

|Eli Holm| Suspended in anticipation, a man named Clerici sits awaiting his cue, a pawn of a larger game, too terrified to sleep, waiting to strike. He’s in a blank slate of ruin, without discernible emotion, putting on his mask of high-class clothing, tucking his gun, braving the winter air, ready.. Continue reading

The Wild Bunch: Between Companionship and Despair

A man in a hat (Ernest Borgnine) stares down the barrel of his rifle in "The Wild Bunch."

|Rowan A. Smith| The Wild Bunch was a movie that for many years sat for me in a category most film-lovers are very familiar with: “I’ll get to it.” When I was a teenager, I watched a lot of the most beloved Westerns and didn’t find many I enjoyed. It wasn’t until I was in my late twenties… Continue reading

Violence in The Dirty Dozen and The Last of Us

A close-up as Donald Sutherland smiles at Lee Marvin, who has a grim expression, in the film The Dirty Dozen.

|Dylan Walker| While I’m not really a video game person, I’ve been intrigued by The Last of Us franchise thanks to a coworker who sings its praises, positive reviews of the HBO show, and a mild crush I’ve developed on Pedro Pascal. So, the other day, I decided to spend some time… Continue reading