Thelma and Louise and Everything Since

|Nicole Rojas-Oltmanns| Geena Davis, who plays Thelma, remarked, “After Thelma and Louise (1991, directed by Ridley Scott), people said things would improve for women in film. They didn’t.”¹ So, in 2004 she created The Geena Davis Institute to better understand disparities… Continue reading

Read the Book First: Adaptations, Queer Coding, and the Production Code in The Big Clock 

|Reid Lemker| My dad had a rule about film adaptations. He always told my sister and me to “read the book first” when we were kids. These days, I don’t always heed this advice. However, watching John Farrow’s 1948 film The Big Clock, after reading the 1946 Kenneth Fearing novel of the same… Continue reading

Guinevere Turner, American Psycho, and the Effective Distance of Lesbian Cool

|Sophie Durbin| “Gloria Steinem… as legend would have it, took [Leonardo DiCaprio] to a baseball game and
said, ‘Please don’t do this movie. You’re the biggest movie star in the world right now, and teenage girls are living for you, and I really don’t want them all to run… Continue reading

“Without Guilt or Remorse”: A Deep Dive into the Life of Hitchcock Star Farley Granger

|Dylan Hawthron| Before we actually start the movie, though, we see the Warner Bros. logo, followed by a screen announcing the lead actors: Farley Granger Mr. Granger appears by arrangement with Samuel Goldwyn Ruth Roman Robert Walker The fine print sticks out in an otherwise… Continue reading

I Want All the Bisexuals To Know: If I Can Edit a Film Blog, You Can Too

Karen, Miss New York, a Black Latina woman in a red evening gown, is shouting in front of the crowd. To her right, five women in dazzling evening gowns are watching her in awe.

|Finn Odum| Several weeks ago, in the monotonous gray cubes of the Mall of America® office tower, I dared to make a joke about my gender identity. This is how it went:
Finn, 24, strikingly gorgeous and wickedly funny email specialist: Now, I’m not like most women—in that I’m not one… Continue reading

“Don’t Quit Your Gay Job!”: Kiss Kiss Bang Bang’s Place in Queer Cinema

|Courtney Kowalke| Kiss Kiss Bang Bang (2005) is my Die Hard. It is a Christmas movie, and I defend it as such with my life. Every year since I first saw it in 2007, I trot it out in December alongside the standard fare like A Charlie Brown Christmas and Love Actually. One could… Continue reading