To Love or Leave: The Paradoxical Feminism of Alfred Hitchcock’s Suspicion

|Chris Polley| “Just because you’re paranoid doesn’t mean they aren’t after you,” Joseph Heller famously wrote in his 1961 wartime satire Catch-22. Taking place during World War II and reveling in the titular paradoxes inherent in the very concepts of warfare and military service… Continue reading

In the Empty Spaces: Rebecca Boils with Things Translucent, Unseen, or Gone Forever

Mrs. Danvers looms in stark silhouette behind a sheer curtain, framed by the lit windows in the background.

|Jake Rudegeair| Float down the overgrown drive, supernatural dreamer, until you come upon the “desolate shell” of Manderley. This classic haunted house holds up the deceits and revelations of Rebecca, Hitchcock’s Best Picture winner from 1940, based on the novel by… Continue reading