Hertzfeldt to Miyazaki to Life: How Negative Space in Animation Gave Me the Time to Live
|Zach Staads| I first saw Don Hertzfeldt’s Everything Will Be OK in my friend’s living room, a cavernous Victorian echo chamber carved from oak and smothered in pink-beige plaster, where we watched on a chunky, green Dell laptop from 2006. Those 17 minutes changed my life. Continue reading