Isolation and Family, Arthouse and Hollywood, The Mafia and Jesus: The Impossible Marriages in Martin Scorsese’s Filmography
|Ryan Sanderson| I didn’t fall for Scorsese initially, the same way I did for his contemporaries. Raging Bull left me cold. I hated the characters in Goodfellas too much to really latch on. Make no mistake—I encountered plenty of toxic masculinity in adolescence, just a brand that disguised… Continue reading