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A Postmodern Roadmap for a Gag
![](https://www.perisphere.org/wp-content/uploads/2024/06/1-OCOTD-900x350.png)
|Cole Seidl| Shinichiro Ueda’s One Cut of the Dead has been incredibly, yet quietly, influential since its initial release in Japan in 2017. It has spawned a small independent film movement in Japan known as “nagamawashi” films (or “long take” films) which aim to exploit the… Continue reading