Playing the Fool
|Doug Carmody| Bong Joon-ho’s The Host opens to scenes of tension and tragedy. First, in a politically overt sequence, an American doctor forces a Korean doctor to dump formaldehyde… Continue reading
|Doug Carmody| Bong Joon-ho’s The Host opens to scenes of tension and tragedy. First, in a politically overt sequence, an American doctor forces a Korean doctor to dump formaldehyde… Continue reading
|Jake Rudegeair| “Coming of age” always struck me as a flat phrase for something so bumpy, so relentless. It doesn’t really illustrate that slow erosion of our bodies and souls as we’re worn down by the slings and arrows of experience, cruelly and carelessly reformed over and over… Continue reading
|Andrwe Neill| With the Trylon screening Oldboy this week, I got to thinking about a new subgenre with a unique shade of ugly that’s been taking shape. Only in recent years has it emerged fully formed, given dimension in light of a heinous online subculture. Members of this… Continue reading
|Allison Vincent| A foundational memory of mine is sitting in Dr. Doug Julien’s “Comedy Text and Theory” course at the University of Minnesota and realizing the slender thin line that separates a scream from a laugh. Dr. Doug, as he liked to be addressed, told the class he was… Continue reading
|Cole Seidl| Shinichiro Ueda’s One Cut of the Dead has been incredibly, yet quietly, influential since its initial release in Japan in 2017. It has spawned a small independent film movement in Japan known as “nagamawashi” films (or “long take” films) which aim to exploit the… Continue reading
|Chris Ryba-Tures| If you’re reading this, there’s a good chance you already know something about One Cut of the Dead. If you’ve seen it, you don’t need me to tell you how special it is, nor would you want me spoiling it. An unassuming genre-bender like this, packed to the gills… Continue reading
|Courtney Kowalke| The adage “Comedy equals tragedy plus time” doesn’t really hold true for The Earrings of Madame de… (1958). In one early scene, aristocratic main character Louise (Danielle Darrieux) lies to her husband about losing the titular earrings while attending… Continue reading
|John Costello| Despite the underlying wartime suspense and tragedy, Five Graves to Cairo (1943) gives the audience ample reason to laugh at the Nazis and their accomplices. The film deflates the legend of Nazi Field Marshal Erwin Rommel and constantly demeans… Continue reading
|Penny Folger| The Museum of Home Video is an online streaming show that took flight during the pandemic and seems to have created an empire. Started by Los Angeleno film programmer/distributor Brett Berg, it takes place at museumofhomevideo.com at 7:30 pm PST most Tuesday evenings. Since its inception in July… Continue reading
|Finn Odum| Several weeks ago, in the monotonous gray cubes of the Mall of America® office tower, I dared to make a joke about my gender identity. This is how it went:
Finn, 24, strikingly gorgeous and wickedly funny email specialist: Now, I’m not like most women—in that I’m not one… Continue reading