Tag: abstract cinema

A Programmer’s Note on AMERICA: EVERYTHING YOU’VE EVER DREAMED OF

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|John Moret| A regular at the theater recently asked me to describe the short films of Tony Ganz and Rhody Streeter. I took a moment and realized I wasn’t quite sure how. Perhaps we could compare it to the early work of Errol Morris, but comparisons to things you like never… Continue reading

Oneiric Reflections and Rebirth of Femininity in Maya Deren’s Meshes of the Afternoon (1943) & At Land (1944)

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|Olivia Fredrickson| The cinema of Maya Deren without a doubt captures not only the intrinsic reflections of her consistently shifting identity as a woman and artist, but also the labyrinthic inner workings of the self and psyche. Both of these crucial elements of her cinema and identity… Continue reading