1917 and the Pitfalls of One-Shot and Long-Shot Filmmaking

|Nicole Rojas-Oltmann| You may have noticed the influx of one-shot and long-shot films in the past two decades. We have camera technology to thank for this. Now film can be made in one go. You know, like theatre has always been done. One-shot and long-shot cinematography pose… Continue reading

This Just In: Audience Manipulation in Johnnie To’s Breaking News 

|Benjamin Jarman| “Image matters most. We have to put on a great show. An eye for an eye. This is the age of the media. The media got us. Now we get back at them.” These are the first lines of dialogue recited by actress Kelly Chen in Johnnie To’s 2004 crime film, Breaking News. Chen Continue reading

Humanity and Stolen Choice in Children of Men

|Matt Lambert| By the time Children of Men plays at the Trylon, my son might be born. It will be my wife and I’s first child. It’s something we’ve waffled on in our marriage for many years. The decision to bring life into the world has changed drastically as I’ve grown older. When I was younger, I thought the idea of… Continue reading

A Youthquake for Yakuza: Coming of Age in Sailor Suit and Machine Gun

Pulp-style Illustration of characters from the film, Izumi, Makoto, and Fatso, along with the title in Japanese, bold yellow font.

|Jake Rudegeair| “Coming of age” always struck me as a flat phrase for something so bumpy, so relentless. It doesn’t really illustrate that slow erosion of our bodies and souls as we’re worn down by the slings and arrows of experience, cruelly and carelessly reformed over and over… Continue reading

Dialectical Materialism and Proletarian Internationalism: ‘I Am Cuba’

|Jasper Nordin| On July 26, 1953, the Cuban Revolution began. Fidel Castro, leading a force of 136 men, attacked the Moncada military barracks in the capital city of Havana. The goal of this attack was to instigate a wider revolt against the dictatorship of Fulgencio Batista, and to… Continue reading

Pacifism Ain’t No Panacea: Vengeance and Desperation in Ryszard Bugajski’s Clearcut

|Chris Polley| Ugly injustice and righteous anger fill the frames of nearly every fantasy revenge flick, but the best of the genre go beyond the emotion. They consider their targets and punishments carefully as well as provide a convincing argument as to why pacifism… Continue reading