Touch of Evil: At the Border of Truth

|Yuval Klein| At the Mexico–U.S. Border, gangsters and police animate a caustic criminal underbelly. The protagonist, Mike Vargas, is a respected Mexican criminal prosecutor who crosses over to his American newlywed’s home country at the precise moment of an… Continue reading

Arica, mi Amor: Cine Chileno y La casa lobo

|Finn Odum| I. Gringos en Arica. The first of my three weeks in Arica, a city on the Chilean-Peruvian border, was spent in a beachside hotel. We had free breakfast in the mornings, a pool overlooking the ocean, and most importantly, a bar just a five-minute walk away. Many of us were… Continue reading

A Phenomenology of the East Coast: Sidney Lumet’s The Verdict

|MH Rowe| As quiet and downbeat as it is—as suspicious of institutional authority as it is—The Verdict (1982) is not quite the post-Watergate courtroom drama it appears to be. It traffics instead in a variety of chastened heroism, the kind that comes from finding out that… Continue reading

Four “Fuckin A!” Moments in Action Movie Music

A fire-filled background with human silhouettes flying through the air. The middle of the image holds "'80s Action Extravaganza" in red bold letters.

| Matthew Tchepikova-Treon | Beyond the hardbody brass hits, kettle drums, soaring guitars, and motoric basslines (that nowadays punctuate every last over-edited theatrical trailer to death), action movie music comes in many forms. In the 1970s, performers like J.J. Johnson (Across 110th Street), Johnny Pate… Continue reading

I Have Seen the Future, and It Doesn’t Work: The Off-Kilter, Semi-Genius of Zardoz

|Michael Popham| When people see the movie Zardoz for the first time, they usually walk out of the theater with a lot of questions. Chief among them is, “What the fuck was that all about?” I’ll admit this isn’t a movie for everyone. But hear me out: Zardoz is not just a perfect example of 1970s… Continue reading

Down the Yellow Brick Road and Through the Looking Glass: How Zardoz Was Colored by its Era and Reflects Back on Today

|Zach Staads| So, the civilization we know today is coming to an end and the enlightened intelligentsia want to use the end of the world as a playground for their own disaffected experiments and whims as they figure out immortality and aren’t sure what to do with the cruder… Continue reading

Comfort Movies and Show Stealers: The Goodbye Girl

|Penny Folger| The Goodbye Girl played on daytime television with some regularity while I was growing up. Either that or I just caught it the one time and it left an enduring impression. It’s hard to say which it was when scanning back through my memories of childhood, but I remember Richard Dreyfuss playing guitar, trying to soothe 10-year-old… Continue reading

This Just In: Evil is STILL Banal

|Veda Lawrence| For someone whose exposure to Holocaust literature has come mostly from the diary of Anne Frank, or the Boy in the Striped Pajamas, or even Life is Beautiful, a film like The Night Porter stands as a stark and offensive antithesis to the almost sanitized narratives that… Continue reading