|Doug Carmoody| Cinema of Absence. Michaelangelo Antonioni’s L’eclisse (1962) begins with a directorial confession. In preparation for a grim romantic argument, Vittoria (a young woman played by Monica Vitti) takes a moment to adjust her surroundings. She reaches through an empty picture frame… Continue reading
|Sam L. Landman| As he ventured onto the American Zoetrope lot in the fall of 1980, fully prepared to write the soundtrack to Francis Ford Coppola’s One from the Heart, Tom Waits had already spent a majority of his career as an imposter. (And I say that lovingly, as a fan who’s… Continue reading
|Courtney Kowalke| The adage “Comedy equals tragedy plus time” doesn’t really hold true for The Earrings of Madame de… (1958). In one early scene, aristocratic main character Louise (Danielle Darrieux) lies to her husband about losing the titular earrings while attending… Continue reading
|Dan McCabe| The Earrings of Madame de…(1953) may be the last great work of the French “Poetic Realism” period. It certainly isn’t the only film that marks the end of a historical era in the development of motion pictures. What interests me about it is that usually evolve… Continue reading
|Matthew Christensen| I should begin by confessing to a degree of uneasiness over my title for this piece. As the adult son of an evangelical minister, the impact of growing up in a devout household has lingered long into my adulthood. The idea of saying anything that… Continue reading
|Dan Howard| From 1977 to 1990, Robert Altman’s career as a filmmaker began to dwindle, teetering from decent-sized ups to major downs. Every other film coming from Altman was received with mixed to lackluster reviews, with some exceptions like 3 Women… Continue reading
|Bob Aulert| – Oscar Levant. In the realm of meta-cinematic narratives, few films have achieved the level of sharp satire and self-awareness as Robert Altman’s 1992 film The Player. It’s a two hour long “Fuck You” from Altman to the mainstream film industry; a scathing commentary… Continue reading
|Chris Ryba-Tures| There was a time, a baker’s dozen years back, when I couldn’t find a decent old-fashioned donut on this side of the river to save my life. It was the age of The Glazing—when a number of ambitious, inventive Twin Cities doughsmiths began exploring the possibilities… Continue reading
|John Costello| Despite the underlying wartime suspense and tragedy, Five Graves to Cairo (1943) gives the audience ample reason to laugh at the Nazis and their accomplices. The film deflates the legend of Nazi Field Marshal Erwin Rommel and constantly demeans… Continue reading
|Patrick Clifford| “Oh man! You’ve never seen Touch of Evil?” “Oh… Man. That first shot!” “Tick, tick, tick, tick… tacka-tooka, tacka-tooka…” This was how my good friend Juan Torres introduced to me to Touch of Evil. Long ago, when we were college students in Chicago. I can still see… Continue reading
