Toonami Days: How Anime Like Vampire Hunter D Saved a Small Town Kid

|Andrew Neill| The lights are out except for the TV. Outside of its pulsing glow, the bedroom is painted with deep blue shadows, which extend through the window, out onto the snowy front yard, across the icy street, a few blocks of civilization, and then miles and miles… Continue reading

My Short Bestselling Memoir about the Japanese Animated Film Vampire Hunter D

|MH Rowe| A lot of art seems gruesome and tasteless when you’re twelve or thirteen years old. It repels and attracts you for exactly that reason. Later, when you’ve reached maturity or thereabouts and are better equipped with the faculty of judgement, you may have a… Continue reading

The Gap in Lauren Hutton’s Teeth

|MH Rowe| The most interesting films tend to be those that go all the way into a gnarly little dreamworld. Not that the dreamworld of American Gigolo seems gnarly at first. The story begins by reveling in the easy brilliance of California sunshine. There’s no glare. No one sweats. A breeze… Continue reading

American Gigolo: A Film Noir with 1980s Sheen? 

|Penny Folger| Paul Schrader’s American Gigolo, starts out with all the luster and flash of the 1980s though it was actually shot in 1979. Yet, stylistically, it preternaturally defines the decade that was to come. “It’s almost setting the… Continue reading

Son of The White Mare: Formalistic Creativity Bursting Through Repression

|Ed Dykhuizen| Communism does not create a great environment for filmmaking. Communist governments tend to try to control everything, especially how people think. All art becomes state propaganda limited to a handful of party-friendly messages and forms. You have to… Continue reading

First as Tragedy, Then as Tragedy

|Matthew Tchepikova-Treon| A young Richard Pryor sits inside a dark, nondescript bar. “California is a weird state,” he says, “because they have laws for pedestrians—you know like, you cross the street—they have laws for pedestrians, but they don’t have laws for people… Continue reading

Giorgio Moroder: A Syllabus

|Sophie Durbin| would strongly recommend that everyone who’s anyone attend Berlin & the Trylon Present: A Celebration of Giorgio Moroder on Thursday, February 5. While our beloved Trylon Cinema does well at staying/excelling in its lane, the occasional creative foray into other local… Continue reading

Gone with the Wind Rider: Shintoism in Hayao Miyazaki’s Nausicaä of the Valley of the Wind

|Lars Johnson| In the early 1980s, an idealistic Japanese animator entered into an agreement with a magazine to create a manga on the condition that it would not be turned into a feature film. The series immediately took off and became popular. The publisher, presumably caught… Continue reading

Don’t Stomp On Bugs

|Noah Frazier| Bugs are gross. They look scary. They’ve got creepy legs and weird pincer mouths. A lot of them have an alarming amount of eyes. They bite, they sting. Sometimes they…let me double check my notes here…drink! your! blood! Like it’s a tasty treat to them!… Continue reading

When in Rome: La Dolce Vita and Life’s Imitation of Art

|Courtney Kowalke| On October 21, 2025, around 1:00 pm, YourClassical MPR played Ottorino Respighi’s “Fountains of Rome.” I know because I was listening to the station in my car. As I drove through Uptown, I listened to Lynne Warfel wax poetic about the piece. She pointed out that the… Continue reading