We’re All Buddies Here

|Devin Warner| I am so happy that this movie is being shown. While waiting in line to buy a ticket for the first 80’s Action Extravaganza at the Trylon, John wandered the line and asked everyone for movies they would like to see. My response was Shakedown, a buddy cop action… Continue reading

Okinawa, Baby: Exploration, Exes, & Extreme Private Eros

|Chelli Riddough| When my ex-boyfriend Chris and I were splitting up, we had a breakup photo shoot. Our friend Zoey came over and took a series of photographs of us in the living room: hugging, holding the cat, sitting side by side. At the time, my close friends… Continue reading

The Shocking Direct Cinema of The Emperor’s Naked Army Marches On

|Ed Dykhuizen| Throughout the twentieth century, few documentaries managed to be both truthful and entertaining. Some were dry and deadly serious explications of important societal issues that, while enriching in the end, could feel a bit like homework. Others that provided thrills… Continue reading

The Burnt-Out Artist and the Truth: Federico Fellini’s 8 ½

|Dan McCabe| Note: This article contains spoilers for Federico Fellini’s 8 ½. If you want to see the movie without knowing anything about it, stop now. Guido (Marcello Mastroianni) hates the science fiction movie he’s making.  He thinks such b-movie genre fare is cheesy and… Continue reading

Collectivization, Creation, and Composition: Scoring Oleksandr Dovzhenko’s Earth

|Chris Polley| The “ooh, a project!” to “omg this is a huuuuge project” pipeline is real. In less than a week, my ambient post-rock band PRGRPHS will be performing our first live score for a silent film at the Trylon—Ukrainian director Oleksandr Dovzhenko’s 1930 agitprop Rorschach test Earth… Continue reading

“The Way The Whole Darned Human Solidarity Keeps Perpetuating Itself” One Flew Over The Cuckoo’s Nest, Intentional Distancing, Accidental Empathy, & Rebellion as A Way To Pass The Time

|Phil Kolas| Can selfishness be intersectionally liberating? Can assholes help to free strangers? Those are two sentences saying the same thing, and I’m being repetitive only because I feel like I’m going to be fighting both of those conflicting impulses while I write… Continue reading

Everyone Is Ridiculous and Everyone Is Beautiful: The Absurdist Humanism of Miloš Forman’s Taking Off

|Chris Polley| “It was a street-theater spectacular that never stopped,” Czech-turned-American director Miloš Forman said of his time spent in Central Park during the summer of 1970 before and during the filming of his debut stateside feature Taking Off. In particular… Continue reading

Yippee-Ki-Yay Father Christmas

|Josh Carson| There is a seasonal debate borne directly out of and aged exactly alongside the internet. They even share the same lifecycles: At first it was wildly amusing. Next came innocuously controversial. Then it started to get annoying as too many people… Continue reading

NERVOUS IN THE DESERT: Elizabeth Street alienation in Martin Scorsese’s Casino 

|Ben Tuthill| Casino is the only entry in Martin Scorsese’s catalog you might confuse for self-parody. Three different voice-overs, a United Nations of ethnic slurs, so many Rolling Stones needle drops that at one point there’s a Rolling Stones song playing over another… Continue reading