|Phil Kolas| Can selfishness be intersectionally liberating? Can assholes help to free strangers? Those are two sentences saying the same thing, and I’m being repetitive only because I feel like I’m going to be fighting both of those conflicting impulses while I write… Continue reading
|Chris Polley| “It was a street-theater spectacular that never stopped,” Czech-turned-American director Miloš Forman said of his time spent in Central Park during the summer of 1970 before and during the filming of his debut stateside feature Taking Off. In particular… Continue reading
|Josh Carson| There is a seasonal debate borne directly out of and aged exactly alongside the internet. They even share the same lifecycles: At first it was wildly amusing. Next came innocuously controversial. Then it started to get annoying as too many people… Continue reading
|Ben Tuthill| Casino is the only entry in Martin Scorsese’s catalog you might confuse for self-parody. Three different voice-overs, a United Nations of ethnic slurs, so many Rolling Stones needle drops that at one point there’s a Rolling Stones song playing over another… Continue reading
|Terry Serres| Lou Andreas Sand (Faye Dunaway) is a former fashion model, retired after a nervous breakdown. Still vain and insecure, we find her holed up in her beachside aerie, where she is interviewed at length by a collaborator from her heyday, the photographer Aaron Reinhardt… Continue reading
|Patrick Clifford| It ain’t easy. The stuff of life. The things that continually seem to come with difficulty. Paying rent. Getting along with family. Loving somebody and accepting love in return. No matter how simple we try and keep it, we always complicate it by wondering if there… Continue reading
|Courtney Kowalke| Writing this piece made me confront the fact that I have a thing for cowboys.Not the lifestyle, not in practice—I hate feeling dusty, straw and most crop pollens make me sneezy, and I’ve been scared of horses since I was ten and one bit my hand while I was feeding it… Continue reading
|Ryan Sanderson| You’re Sharon Stone. Congratulations. You’ve just achieved massive stardom with Basic Instinct. Now Sony’s come knocking with a metatextual riff on Sergio Leone Westerns, the Clint Eastwood Man With No Name archetype written for a woman. You sign on… Continue reading
|Azra Thakur| Sometimes, I seem to feel a gravity rise from the depths of the ages throughout the world. In myself and in others, I notice a tendency to flee from new problems, to take refuge in churches or counter-churches, to rely on what has been achieved, to be complacent, to… Continue reading
|MH Rowe| Some documentary films feel more like a document than an act of documentation. They may set out to study this or that topic, but in the end, they seem themselves like objects to study. To put it another way, I am inadequate to judge the regional history and politics presented… Continue reading
