“Long Nights, Impossible Odds, Keeping My Back To the Wall”

|Lucas Hardwick| **Mild spoilers ahead*** My career as a writer is successful only in the sense that I get to do it; my work is published here and there, and maybe a few hundred people read it, chuckle, and manage to get something out of it—some of it right here on this very blog. But… Continue reading

Blue Collar: A Rare, Authentic Working-Class Drama

|Ed Dykhuizen| Traditionally, if you’re a character in a Hollywood movie, you have to be rich. You don’t always have to be obscenely wealthy, but you must have enough money to never worry about how you’re going to pay for whatever the plot demands you have. Even if you’re in Los… Continue reading

“Mixed Up”: Sylvia Sidney’s Bad Desire

|Doug Carmoody| In the years prior to her leading role in Fritz Lang’s You Only Live Once, Sylvia Sidney had endured a barrage of difficult on-screen romantic partners. She was impregnated and drowned by her boyfriend in An American Tragedy, bullied into a life of alcoholism and infidelity… Continue reading

Crawling Up the Walls: Set Design and the Use of Space in Dial M for Murder

|Courtney Kowalke| I lived in my last apartment for five years and ten months. When I was allowed to work from home at the start of the coronavirus pandemic, my apartment was the center of my universe. I got out plenty, taking long walks and bike rides and drives around the city. Still… Continue reading

Making an End of Anger: Valor, Heroism, and Warriors

|Veda Lawerence| The Warriors is based on a book (The Warriors, by Sol Yurick) which is based on a work by Xenophon (Anabasis) that details the journey of an army of ancient Greek mercenaries. Xenophon recorded the tales of his battles as a soldier in the Greek army around four… Continue reading

From Truce to Tyranny: Pulp Historicism in Walter Hill’s The Warriors

|Chris Polley| “The neighborhood hasn’t really changed that much,” NYPD Detective William McQueen said to The New York Times in 1979 for a story about record-breaking violent crime in the Big Apple. He added, “Homicides seem to be the thing we have the least control over. Burglaries… Continue reading

Give ‘Em the Old Razzle Dazzle: All That Jazz and the Strength of Self-Reflection

|Courtney Kowalke| The day after Perisphere assigned me All That Jazz (1979) for my next film essay, the web browser on my phone recommended I read the IndieWire article “‘All That Jazz’ Is a Favorite of Fincher, Kubrick, and Scorsese—Here’s Why.” I’m not a fan of whatever… Continue reading

Fosse’s Reckoning: Wrestling With Demons, Death, Cinema, and Broadway

|Dan Howard| Bob Fosse. His name alone is engraved into the history of dance, Broadway, and cinema in works from Chicago to Cabaret. Even Michael Jackson saw him as one of his heroes. The reputation that bestowed Fosse as one of the greats was as well-known as how… Continue reading